Publikationen

Mayer D. 2024, Two Easy-to-implement Alternative Synthesis Techniques and their Integration in a Working Process. In: Proceedings of the Speculative Sound Synthesis Symposium 2024. https://speculative.iem.at/symposium/docs/proceedings/mayer
Mayer D. 2023, Klänge der Zukunft. In: Sounding Future. Platform for Sound Innovations in Technology, Music and Visual Arts. https://soundingfuture.com/de/artikel/klaenge-der-zukunft
Mayer D. 2021, Fb1_ODE – an Interface for Synthesis and Sound Processing with Ordinary Differential Equations in SuperCollider. In: Proc. Int. Conf. Sound and Music Computing (SMC2021), Torino, pp. 154-158. https://zenodo.org/records/5038733, Zusammenfassung auf YouTube: https://www.youtube.com/watch?v=AcuKXxw4vrE
Mayer D. 2020, Algorithms in Sound Synthesis, Processing, and Composition: a Dialectic Game. In: ALMAT 2020, Symposium on Algorithmic Agency in Artistic Practice. https://www.researchcatalogue.net/view/921059/922503
Mayer D. 2020, Fb1 – an interface for single sample feedback and feedforward in SuperCollider. In: Proc. Int. Conf. Sound and Music Computing (SMC2020), Torino, pp. 200-203. https://zenodo.org/records/3898757
Mayer D. 2019, PbindFx: an interface for sequencing effect graphs in the SuperCollider audio programming language. In: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound, September 2019, pp. 287-291. https://dl.acm.org/doi/10.1145/3356590.3356639
Mayer D. 2017, kitchen studies. Exposition in the Research Catalogue. https://www.researchcatalogue.net/view/324609/324610
Gadenstätter C., Eder T., Mayer D., Nierhaus G. 2015, Clemens Gadenstätter/Hidden Grammars. In: Nierhaus G. (Ed.), Patterns of Intuition, Musical Creativity in the Light of Algorithmic Composition, Springer, Dordrecht.
Klement K., Mayer D., Nierhaus G. 2015, Katharina Klement/Transformation and Morphing. In: Nierhaus G. (Ed.), Patterns of Intuition, Musical Creativity in the Light of Algorithmic Composition, Springer, Dordrecht.
Nachtmann C., Mayer D., Nierhaus G. 2015, Clemens Nachtmann/Forbidding Harmonies. In: Nierhaus G. (Ed.), Patterns of Intuition, Musical Creativity in the Light of Algorithmic Composition, Springer, Dordrecht.
Papageorgiou D., Mayer D., Nierhaus G. 2015, Dimitri Papageorgiou/Interlocking and Scaling. In: Nierhaus G. (Ed.), Patterns of Intuition, Musical Creativity in the Light of Algorithmic Composition, Springer, Dordrecht.
Stankovski A., Mayer D., Nierhaus G. 2015, Alexander Stankovski/Mirrors Within Mirrors. In: Nierhaus G. (Ed.), Patterns of Intuition, Musical Creativity in the Light of Algorithmic Composition, Springer, Dordrecht.
Vanhecke B., Mayer D., Nierhaus G. 2015, Bart Vanhecke/Straightening the Tower of Pisa. In: Nierhaus G. (Ed.), Patterns of Intuition, Musical Creativity in the Light of Algorithmic Composition, Springer, Dordrecht.
Zivkovic D., Mayer D., Nierhaus G. 2015, Djuro Zivkovic/Difference Tones. In: Nierhaus G. (Ed.), Patterns of Intuition, Musical Creativity in the Light of Algorithmic Composition, Springer, Dordrecht.
Mayer D. 2014, Komponieren als Trial-And-Error-Prozess. In: positionen. Texte zur aktuellen Musik, 99, p. 34.
Mayer D. 2006, Strukturgeneratoren in elektronischer und instrumentaler Komposition, IEM-Report 33/06, https://old.iem.at/projekte/publications/iem_report/report33_06/report33_06